George W. Bush’s silhouette created by Cindi Rose gets President’s A+ Approval

George W. Bush’s silhouette created by Cindi Rose gets President’s A+ Approval

Former United States President, George W. Bush, wrote the most beautiful thank-you to noted silhouette artist Cindi Harwood Rose. At a prestigious event for The W Source In Houston where President Bush was the honored speaker, his famous silhouette was hand-created full-length and bust style by historic profilist, C. H. Rose. The details and personality of the President was captured by the skilled artist. Cindi is considered the finest

silhouette artist of this and last century. C. Rose has done her artwork over 35 years, and has silhouetted many US and foreign Presidents and royalty. Her work is sought after for Hollywood-style events and weddings, but Rose likes capturing the candid and real genre of the individual she is hand-carving from sight. George W. was spellbound by the work. In minutes, with surgical scissors and thin black paper, she cut his likeness! Rose had done his mother, Barbara Bush’s silhouette several times, and many of his nephews and nieces, but this was the first time she had done his. The country’s leader stated that Cindi Rose did a “fine looking silhouette.” He further commented, in his truthful manner that “the care and craftsmanship that went into every detail are apparent.” The President of the greatest country iterated that C. Harwood Rose’s work showed thoughtfulness, and that he and Laura, sent blessing and best wishes to the artist.

The fine art of hand-cutting silhouettes was a way of record keeping by kings and queens, and American Presidents for several centuries. In the 1700’s and early 1800’s it was the only way that clothing and style were recorded, pre-camera. What separates Cindi Rose’s work from other amusement park-style real silhouette artists is that no two of her works look alike, and she captures the features and persona of a subject, making her work

an empowerment of who the person is feature and soul. More information on historic silhouettes can be read on the universe’s top authority on the history of silhouette art and artists, the renown, Peggy McClard. Peggy

has valuable silhouettes worth thousands for purchase and important books on the subject of Shade artists, later called silhouette artists. Some of the silhouette artists these days, are computer generating the work, and do not get the interior cuts that the master artists can get. The Guild of American Paper cutters list only a few handfuls of silhouette artists living in this century, and they call C. H. Rose, America’s premier silhouette artist.

Looking at her website, silhouettesbycindi.com you can see the Silhouette of Barbara Bush and on some of the articles, Queen Elizabeth, President Obama, Mickey Rooney, Elvis Presley, Sammy Davis Jr., Ashley Judd, and Golda Mier. Her videos on YouTube show that she has taken her skill into the field of masterful art, with gallery presentations and historic lectures. By interview, Rose explained that she used vintage, French, silhouette paper, that is no longer available, 50 years old, that she purchased the vintage paper in bulk from an English vendor in 1971. The paper alone has a ranking worth hundreds of dollars. Rose uses this paper for donations to the uninsured and underinsured with cancer through The Holly Rose Ribbon Foundation, and her project, “Silhouettes for Survivors.” Once made a hero, by American Profile Magazine, Cindi Rose, can be reached for a personal high-quality silhouette, with her signature, framed in solid wood and real gold leaf. In interview Ms. C. Rose stated, “I do not use a shadow to do a silhouette, that is what a non-silhouette artist does, and the shadow is a reduction of who you are, it is the blockage of light. Thus, a silhouette made by viewing someone, and studying the total of their nature, adds a fourth dimension of their actuality, making a monument to who they are.” I think Cindi Rose is referring to the many trite silhouettes found on the internet that are made by computers or wall-tracings, or the copy-cat silhouettes that you often see that do not reflect contemporary fashion.